I last visited the Conciergerie to learn more about the demise of Marie Antoinette, so yesterday I was pleasantly surprised to find its stunning medieval “Hall of Men-at-Arms” transformed into a contemporary forest. It seems most fitting that fifty artists’ interpretations of the animal experience now reside in Paris’s most noteworthy prison.
Bêtes Off displays a broad range of artistic media focused on a singular topic. The exhibit brochure classifies the works around three concepts: The Animal as “Other,” Becoming Animal, and Living Together; but as the title infers, can words adequately describe these beasts, the artist’s production or the viewer’s reaction?
As I meandered through constructed allées, I encountered hulking creatures made with wood, resin, fur, clay and plastic. Several video installations met me along the path while others required entry into a dedicated dark space. Some works spoke with human voices and others projected the animal’s sound.

Gloria Friedmann. Elle 2011. She, it, her? Collection de l’artiste, ©Gloria Friedmann / Adagp, Paris.

Julie Faure-Bra. Le porteur de l’esprit de la baleine échouéé 2009. The bearer of the spirit of the beached whale. Collection de l’artiste, © Julie Faure-Brac.
Beside Markus Hansen’s inviting hut covered in luxurious feathers hung Claire Morgan’s arresting owl with wings spanned and ensnared in luminous thread. The sole “living” work by Erik Nussbicker buzzed – filled with flies trapped in a muslin twisted tower.
After an hour of exploring and experiencing a range of emotions, I felt invigorated thanks to these artists who present some serious play with our other side.

Nikolay Polissky. La salle des trophées, 2011. The trophy room. Collection Le Royal Monceau – Raffles Paris © Nikolay Polissky.
For more info: http://www.monuments-nationaux.fr/en/news/headlines/bdd/actu/761/betes-off//.
Bêtes Off is on view through March 11, 2012. Located at Conciergerie, 2 Boulevard du Palais, Ile de la Cite, Paris 75001.
Susan Lyons is a Paris contributor to The Seen.